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"She Wishes She Were Gone" © 1971 Lee Ruth |
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Roberta Weir
- Acoustic Guitar & Vocals Dan Smith - Bass Pete Szkolka - Piano & Guitar |
| Song Lyrics: |
Lee's Lyrics:
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| She Wishes She Were Gone
Behind the dark and distant hills the sun has disappeared. You wouldn't think to find a woman near as fine
as she. She listens to her radio and switches off the light. Her heart beats strong, her eyes are clear and
her hair has grown so long. There are pictures, there are voices, there are
songs inside her head, Turned to her window just before the light of dawn. Way out on the highway you can hear the big trucks
roll |
Behind the dark and distant hills the sun has disappeared The town rolls up its sidewalk and you know the night is near A half a dozen streetlights cast their shadows on the square And no one knows that she is living there You wouldn't think to find a woman near as fine
as she (bridge) Her heart beats strong, her eyes are clear, her
hair has grown so long There are pictures, there are voices, there are
songs inside her head (bridge) Way out on the highway you can hear the big trucks
roll |
| Artist on the Song: |
Lee on the Song:
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| As I was listening to the song "She Wishes She Were Gone," I relived moments of my life and was inspired to perform the song as my tribute to Lee for writing it. | I have had several friends who, at some point in their lives, found themselves in a situation where they were unable to continue living in the place where they wished to be living, partly because of difficulties they had brought upon themselves, and partly because of circumstances beyond their control. A vision presented itself to me, of one who found herself bound, in a situation of which I was left to imagine the details, by her own choice to live in self-imposed exile. Familial obligation? A sense of duty? Fear? Entropy? Need? Pick your own question. A mystery to me. Decades pass. She keeps her secret. |
| Artist on Lee Ruth: |
Lee on the Artist:
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| I've had the opportunity to hear and perform on
occasion with some very talented songwriters/musicians. Few performers have
the ability to write and perform both vocally and instrumentally, with each
skill matching the other. Lee Ruth, a seasoned musical writer, has always
been one of those few performers to me.
The first song I remember hearing Lee perform was not one of his own, but he owned the song as if it were. His God-given voice matches no words I can use to describe it, but it touches something deep inside and melts you into the poetry and story of his songs. A bit of trivia: |
Phil and Roberta (Weir) Jackson moved to Columbia in 1969 when Phil's band White Eyes relocated from St. Joseph, Mo. Though I saw her on occasion at band gigs and other community events we didn't really become acquainted until the late 1970s when she and Phil formed a band of their own called White Rock Prairie. She mostly played keyboards and did a lot of the singing for the band, in a voice both rich and strong. In the early 1980s they moved away, and I didn't see her again until this project got underway and I learned that she was living back in mid-Missouri and was interested in doing a song. I'm glad both that she found one to do and that she chose this one. Her woman's voice imparts to the song a particular poignancy that I don't think it has when I sing it. |
| Producer's Notes: |
Recording Credits:
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| The original plan was to add another female voice singing harmony, but when I first heard Roberta sing this song, it was clear to me that the song is all about loneliness. I knew the only other voice that would be heard in a solitary room would be your own so Roberta had to sing her own harmony. Late in the session Pete Szkolka went in to tweak the piano tuning and Roberta asked Pete to play the keyboard track. Pete laid it down like he had been playing the song for years even though he'd first heard it just an hour before. |
Recorded at Pete Szkolka's Studio Record Date: 5/14/03 Mixed: 12/23/04 Mixed by Pete Szkolka and Steve Donofrio |
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